Nicolas Bertin, 1730 - Christ Washing the Feet of His Disciples - fine art print

29,99 €

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Supplemental information from the museum (© Copyright - by Art Institute Chicago - www.artic.edu)

Nicolas Bertin was primarily a painter of religious, mythological, and allegorical subjects. Although trained in the rigorous French academic traditions, he often emulated the broader style of Titian, Paolo Veronese, and other Venetian Renaissance masters. For his depiction of Christ washing Saint Peter’s feet just after the Last Supper (John 13:4-5), Bertin created a majestic, theatrical backdrop reminiscent of those in Veronese’s pictures. Through gesture and facial expression Bertin adeptly described a range of emotions, from surprise and puzzlement to humility.

Background information on the more than 290 years old work of art

In the year 1730 the French painter Nicolas Bertin made this 18th century artwork. The version of the artpiece was painted with the absolute size: 49,5 × 72,1 cm (19 1/2 × 28 3/8 in). Oil on panel was applied by the European painter as the technique for the artwork. "Bertin (lower left, on the edge of the platform)" is the masterpiece's original inscription. Nowadays, this artwork belongs to the digital art collection of Art Institute Chicago, which is located in Chicago, Illinois, United States of America. We are glad to state that the public domain artpiece is supplied with courtesy of Art Institute Chicago. In addition to that, the artwork has the creditline: Charles H. and Mary F. S. Worcester Collection. The alignment of the digital reproduction is in landscape format with a ratio of 3 : 2, which implies that the length is 50% longer than the width. Nicolas Bertin was a male painter, interior designer, drawer, whose artistic style can be attributed primarily to Baroque. The artist lived for 68 years - born in the year 1668 in Paris, Ile-de-France, France and passed away in the year 1736 in Paris, Ile-de-France, France.

Pick a item material option

In the product dropdown lists you can choose your individual material and size. The following sizes and materials are the options we offer you for individualization:

  • Canvas: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
  • The poster print on canvas material: Our poster print is a UV printed cotton canvas with a fine structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print motif to facilitate the framing with a custom frame.
  • Aluminium dibond print: This is a metal print manufactured on aluminium dibond material with a true effect of depth - for a modern look and non-reflective surface structure. The print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase art prints, since it puts all of the viewer’s attention on the image.
  • Print on glossy acrylic glass (with real glass coating): An acrylic glass print, which is sometimes referenced as a plexiglass print, will turn the original artwork into décor.

Artist table

Artist name: Nicolas Bertin
Also known as: Bertin Nicolas, N. Bertin, Nicolas Bertin, Bertin, Bertin. N., N. Bertini
Gender: male
Nationality: French
Jobs: interior designer, painter, drawer
Country: France
Classification: old master
Art styles: Baroque
Lifetime: 68 years
Year of birth: 1668
Born in (place): Paris, Ile-de-France, France
Year of death: 1736
Town of death: Paris, Ile-de-France, France

Details on the unique artwork

Title of the artpiece: "Christ Washing the Feet of His Disciples"
Artwork categorization: painting
General term: classic art
Artwork century: 18th century
Created in: 1730
Approximate age of artwork: around 290 years
Artwork original medium: oil on panel
Size of the original artwork: 49,5 × 72,1 cm (19 1/2 × 28 3/8 in)
Original artwork signature: bertin (lower left, on the edge of the platform)
Museum: Art Institute Chicago
Location of museum: Chicago, Illinois, United States of America
Web page: Art Institute Chicago
License type of artwork: public domain
Courtesy of: Art Institute Chicago
Creditline of artwork: Charles H. and Mary F. S. Worcester Collection

About the product

Print categorization: art print
Reproduction: digital reproduction
Production technique: digital printing
Product Origin: German-made
Type of stock: on demand
Product usage: art reproduction gallery, wall decoration
Alignment of the artwork: landscape alignment
Image aspect ratio: (length : width) 3 : 2
Implication: the length is 50% longer than the width
Available reproduction materials: poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print
Canvas on stretcher frame (canvas print) sizes: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Acrylic glass print (with real glass coating): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Poster print (canvas paper) variants: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Aluminium dibond print (aluminium material) size variants: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Framing of the art copy: not available

Disclaimer: We try whatever we can to depict our products in as much detail as it is possible and to illustrate them visually on the product detail pages. Nonetheless, the tone of the printed materials, as well as the printing may differ marginally from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version. Given that all fine art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.

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