Meindert Hobbema, 1665 - Wooded Landscape with Cottages - fine art print
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Original artwork description by Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)
Jean-Etienne Fizeaux, Amsterdam; his widow, Marie-Anne Massé, Amsterdam, 1780-1794; Henry Welbore Ellis Agar, 2nd Viscount Clifden, London, 1805; Robert, 2nd Earl of Grosvenor, London, 1806; by descent to Hugh, 3rd Marquess of Westminster and Hugh, 2nd Duke of Westminster, Eaton Hall; Lady Mary Grosvenor, Chester; her sale, London, Sotheby’s, 6 July 1966, lot 75; Edward Speelman Gallery, London; sale London, Sotheby’s, 24 June 1970, lot 20; William Darby; Collection of the British Rail Pension Fund; their sale, London, Sotheby’s, 7 December 1994, lot 25; purchased with the support of the Dutch State, Hans Heinrich, Baron Thyssen-Bornemisza, the Friends of the Mauritshuis Foundation, the Prince Bernhard Culture Fund, the Rembrandt Association and the Algemene Loterij Nederland, 1994
Background information on the classic art painting named "Wooded Landscape with Cottages"
The 17th century masterpiece Wooded Landscape with Cottages was painted by Meindert Hobbema. The more than 350 years old original version was made with the dimensions: height: 88 cm width: 120,7 cm | height: 34,6 in width: 47,5 in and was painted on the medium oil on canvas. Signed: M[e]yndert Hobbema is the artwork's original inscription. Besides, this piece of art is included in the Mauritshuis's digital art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The classic art public domain artpiece is being included with courtesy of Mauritshuis, The Hague. The creditline of the artwork is: Jean-Etienne Fizeaux, Amsterdam; his widow, Marie-Anne Massé, Amsterdam, 1780-1794; Henry Welbore Ellis Agar, 2nd Viscount Clifden, London, 1805; Robert, 2nd Earl of Grosvenor, London, 1806; by descent to Hugh, 3rd Marquess of Westminster and Hugh, 2nd Duke of Westminster, Eaton Hall; Lady Mary Grosvenor, Chester; her sale, London, Sotheby’s, 6 July 1966, lot 75; Edward Speelman Gallery, London; sale London, Sotheby’s, 24 June 1970, lot 20; William Darby; Collection of the British Rail Pension Fund; their sale, London, Sotheby’s, 7 December 1994, lot 25; purchased with the support of the Dutch State, Hans Heinrich, Baron Thyssen-Bornemisza, the Friends of the Mauritshuis Foundation, the Prince Bernhard Culture Fund, the Rembrandt Association and the Algemene Loterij Nederland, 1994. Furthermore, alignment of the digital reproduction is in landscape format and has a side ratio of 4 : 3, meaning that the length is 33% longer than the width.
Select the material of your choice
For every fine art print we offer a range of different materials and sizes. You can choose among the following product customization options:
- Canvas print: The canvas print is a printed canvas stretched on a wooden frame. It creates the distinctive effect of three-dimensionality. In addition to that, a printed canvas generates a lively and enjoyable atmosphere. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of extra wall-mounts. Hence, canvas prints are suitable for any kind of wall.
- Printed poster (canvas material): The poster is a printed sheet of flat cotton canvas with a nice surface texture. Please note, that depending on the size of the poster we add a white margin 2-6cm round about the print motif, which facilitates the framing.
- Aluminium print (aluminium dibond): An Aluminium Dibond print is a material with an impressive depth effect. For the Direct Print On Aluminum Dibond, we print your artwork right on the aluminium composite white-primed surface.
- Printed acrylic glass (with real glass coating): A glossy print on acrylic glass, which is sometimes referred to as a print on plexiglass, will turn the artwork into beautiful home decoration. The work of art will be manufactured with the help of modern UV direct printing machines. The effect of this are impressive and rich color tones.
Artist summary table
| Name: | Meindert Hobbema |
| Alternative names: | Habbima Meindert, Meindert Hobbima, meinert hobbema, Hobbima Minderhout, Minderhout Hobbima, Hobima Meindert, hobbema meindaert, Mynder Hobema, Minderhoud Hobbima, Hobbma, Hobbina Meindert, Minderhoud Hobbema, hobbema m., Hobima Minderhoot, Hobbimer, Holbimer Meindert, Holbina Meindert, M. Hobbima, Hobbimia, Hobbyme Meindert, Hobbimar, Hobdoma, Minderout Hobbima, M. Hobbema, Hobbyme, Hobima, Hobbema Meindert, Hobbema Meyndert Lubbertsz, Hosema, Hobdoma Meindert, Meindert Hobbema, Obbema, Hobimma, Hobbimma Meindert, Hobbimer Meindert, Meijdert Hopemans, Hobbima, Hobema, Hobbema, Holbimer, Hobema Meindert, Hobbima Meindert, Hobbimma, Hobbina, Meindert Hobema, Minderhoot Hobima, Meyndert Lubbertsz Hobbema, Hobbime, Habbima, melchior hobbema, Obema, Hobbema Meyndert, Hobbdma |
| Gender of the artist: | male |
| Artist nationality: | Dutch |
| Professions: | painter |
| Country of the artist: | the Netherlands |
| Classification: | old master |
| Lifetime: | 71 years |
| Birth year: | 1638 |
| Birthplace: | Amsterdam, North Holland, Netherlands |
| Died: | 1709 |
| Town of death: | Amsterdam, North Holland, Netherlands |
Background data about the original piece of art
| Title of the artpiece: | "Wooded Landscape with Cottages" |
| Artwork classification: | painting |
| Umbrella term: | classic art |
| Artwork century: | 17th century |
| Created in the year: | 1665 |
| Approximate age of artwork: | around 350 years old |
| Medium of original artwork: | oil on canvas |
| Dimensions of the original artwork: | height: 88 cm width: 120,7 cm |
| Original artwork signature: | signed: M[e]yndert Hobbema |
| Museum: | Mauritshuis |
| Location of museum: | The Hague, South Holland, Netherlands |
| Website: | Mauritshuis |
| License type: | public domain |
| Courtesy of: | Mauritshuis, The Hague |
| Creditline: | Jean-Etienne Fizeaux, Amsterdam; his widow, Marie-Anne Massé, Amsterdam, 1780-1794; Henry Welbore Ellis Agar, 2nd Viscount Clifden, London, 1805; Robert, 2nd Earl of Grosvenor, London, 1806; by descent to Hugh, 3rd Marquess of Westminster and Hugh, 2nd Duke of Westminster, Eaton Hall; Lady Mary Grosvenor, Chester; her sale, London, Sotheby’s, 6 July 1966, lot 75; Edward Speelman Gallery, London; sale London, Sotheby’s, 24 June 1970, lot 20; William Darby; Collection of the British Rail Pension Fund; their sale, London, Sotheby’s, 7 December 1994, lot 25; purchased with the support of the Dutch State, Hans Heinrich, Baron Thyssen-Bornemisza, the Friends of the Mauritshuis Foundation, the Prince Bernhard Culture Fund, the Rembrandt Association and the Algemene Loterij Nederland, 1994 |
The product
| Print categorization: | art copy |
| Method of reproduction: | digital reproduction |
| Manufaturing technique: | UV direct printing (digital print) |
| Production: | produced in Germany |
| Stock type: | production on demand |
| Product usage: | art collection (reproductions), home design |
| Artwork alignment: | landscape alignment |
| Image ratio: | (length : width) 4 : 3 |
| Image aspect ratio interpretation: | the length is 33% longer than the width |
| Product material choices: | poster print (canvas paper), canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating) |
| Canvas on stretcher frame (canvas print) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
| Acrylic glass print (with real glass coating) options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
| Poster print (canvas paper) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
| Aluminium print (aluminium dibond material) options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
| Picture frame: | without frame |
Important information: We try whatever we can in order to describe our art products with as many details as possible and to display them visually. Please keep in mind that the pigments of the printing material, as well as the print result can vary somehwat from the representation on your device's monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. Given that all art reproductions are processed and printed by hand, there might as well be minor variations in the motif's size and exact position.
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