follower of Rembrandt, 1660 - An Elderly Man in Prayer - fine art print

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For every art print we offer different materials & sizes. You can choose among the following product customization options:

• Acrylic glass print (with real glass coating): An acrylic glass print, often described as a print on plexiglass, changes the original work of art into gorgeous décor. Besides, it forms a distinct alternative to dibond or canvas art prints. Our real glass coating protects your selected art replica against light and external influences for several decades.
• Aluminium dibond (metal print): An Aluminium Dibond print is a material with an impressive depth. The Aluminium Dibond Print is your best start to fine art prints produced on aluminum. For the Direct Aluminium Dibond print, we print your chosen artpiece on the surface of the aluminum material. The bright sections of the artwork shimmer with a silk gloss, however without any glare. The colors are luminous in the highest definition, the fine details are crisp and clear.
• The canvas print: The UV printed canvas material mounted on a wooden frame. A canvas produces the sculptural effect of three dimensionality. Besides, canvas creates a cosy, enjoyable atmosphere. Your printed canvas of this artpiece will allow you to transform your art print into a large artwork like you know from galleries. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Because of thatcanvas prints are suitable for any type of wall.
• The poster print on canvas material: A poster print is a printed canvas paper with a granular surface structure. The print poster is suited for framing your art print in a special frame. Please bear in mind, that depending on the size of the poster print we add a white margin 2 - 6cm round about the work of art, which facilitates the framing.

Legal disclaimer: We try what we can in order to depict our products as accurate as possible and to showcase them visually in our shop. Still, the colors of the printing material, as well as the printing might differ somehwat from the representation on the screen. Depending on the screen settings and the condition of the surface, not all colors are printed one hundret percent realistically. Because the art reproductions are printed and processed manually, there might as well be slight variations in the motif's exact position and the size.

Artwork specifications by the museum (© - The Cleveland Museum of Art - The Cleveland Museum of Art)

Toward the end of his life, Rembrandt explored religious themes from an intimate perspective, producing a number of works for a possible Apostle series. The personal religiosity of An Elderly Man in Prayer, formerly attributed to Rembrandt, bears resemblance to such late works. Seated with eyes nearly closed and hands clasped in prayer over a large book, the figure appears still and introspective. While the dramatic lighting and dark color palette are reminiscent of Rembrandt's late works, this painting, formerly attributed to the artist, has since been assigned to a follower or a later eighteenth-century imitator of Rembrandt's style for reasons associated with the broad, flat brushwork of the garment, the poor handling of shadow on the hands, and the uniform treatment of the hair.

Interesting facts about the artpiece titled An Elderly Man in Prayer

An Elderly Man in Prayer was by the artist follower of Rembrandt in the year 1660. The version of the masterpiece was made with the following dimensions: Framed: 119,4 x 106,7 x 15,9 cm (47 x 42 x 6 1/4 in); Unframed: 87,3 x 72 cm (34 3/8 x 28 3/8 in). Oil on canvas was used by the painter as the medium of the work of art. The original artwork's inscription is the following - signed and dated at middle-right: "Rembrand[t]/ f.166[1]" (Last letter of name and last digit of date are no longer visible).. This artpiece can be viewed in in the The Cleveland Museum of Art's digital collection. This work of art, which belongs to the public domain is being included with courtesy of The Cleveland Museum of Art. Creditline of the artwork: Leonard C. Hanna, Jr. Fund. Moreover, alignment of the digital reproduction is portrait with a ratio of 1 : 1.2, which means that the length is 20% shorter than the width.

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