Jean-Frédéric Bazille, 1867 - Porte de la Reine at Aigues-Mortes - fine art print
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Supplemental information by the museum (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
During the late spring of 1867 Bazille visited the town of Aigues-Mortes near his family home in Montpellier. Hoping for "at least eight beautiful days," he set himself the challenge of painting "absolutely simple" landscapes of the city and surrounding marshes. Of the artist’s three known views of the area, this is the only one to show the massive medieval walls of Aigues-Mortes from up close. It also displays the most striking light effects: the southern sun shines brightly through the archway, contrasting with the afternoon shadows that envelop the grazing Camargue pony and the figures in the foreground.
Background information on the original artwork
Piece of art title: | "Porte de la Reine at Aigues-Mortes" |
Categorization of the work of art: | painting |
Broad category: | modern art |
Time: | 19th century |
Year of creation: | 1867 |
Approximate age of artwork: | around 150 years |
Original medium: | oil on canvas |
Artwork original dimensions: | 31 3/4 x 39 1/4 in (80,6 x 99,7 cm) |
Exhibited in: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Museum's website: | www.metmuseum.org |
License type: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Purchase, Gift of Raymonde Paul, in memory of her brother, C. Michael Paul, by exchange, 1988 |
Creditline of artwork: | Purchase, Gift of Raymonde Paul, in memory of her brother, C. Michael Paul, by exchange, 1988 |
The artist
Artist: | Jean-Frédéric Bazille |
Artist nationality: | French |
Jobs of the artist: | painter |
Country of origin: | France |
Artist classification: | modern artist |
Styles: | Impressionism |
Life span: | 29 years |
Year of birth: | 1841 |
Died in the year: | 1870 |
Article details
Product classification: | fine art reproduction |
Reproduction: | digital reproduction |
Production technique: | UV direct printing |
Provenance: | Germany |
Stock type: | production on demand |
Intended usage: | wall art, art reproduction gallery |
Alignment of the image: | landscape alignment |
Image aspect ratio: | (length : width) 1.2 : 1 |
Implication of side aspect ratio: | the length is 20% longer than the width |
Materials you can select: | poster print (canvas paper), canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating) |
Canvas print (canvas on stretcher frame) size variants: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (with real glass coating) size options: | 60x50cm - 24x20", 120x100cm - 47x39" |
Poster print (canvas paper) variants: | 60x50cm - 24x20", 120x100cm - 47x39" |
Dibond print (alumnium material) options: | 60x50cm - 24x20", 120x100cm - 47x39" |
Framing of the art reproduction: | without frame |
Which would be your preferred art print material?
For every art print we offer a range of different materials and sizes. We allow you to pick your favorite size and material among the following product individualization options:
- Print on glossy acrylic glass: A glossy print on acrylic glass, which is often described as a UV print on plexiglass, makes your favorite artwork into great home decoration. Above all, the acrylic print makes a good alternative to dibond and canvas art prints. The great benefit of an acrylic glass fine art print is that contrasts plus small painting details will be identifiable because of the granular gradation. The acrylic glass protects your selected art print against light and heat for many decades.
- Poster print (canvas material): The Artprinta poster print is a printed cotton canvas with a slight texture on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm around the print motif, which facilitates the framing with a custom frame.
- Aluminium dibond: An Aluminium Dibond print is a print material with an impressive effect of depth. The non-reflective surface structure make a fashionable look. For your Aluminium Dibond option, we print your favorite artwork onto the surface of the aluminum composite.
- The canvas print: The printed canvas, not to be mistaken with a canvas painting, is a digital replica printed on an industrial printer. A canvas print has the advantage of being relatively low in weight, meaning that it is quite simple to hang the Canvas print without the help of extra wall-mounts. Canvas prints are suitable for any kind of wall in your house.
"Porte de la Reine at Aigues-Mortes" as your art replica
This more than 150 year old artwork was painted by Jean-Frédéric Bazille. The original was painted with the size: 31 3/4 x 39 1/4 in (80,6 x 99,7 cm) and was painted on the medium oil on canvas. Besides, this artwork can be viewed in in the The Metropolitan Museum of Art's digital collection. With courtesy of: The Metropolitan Museum of Art, New York, Purchase, Gift of Raymonde Paul, in memory of her brother, C. Michael Paul, by exchange, 1988 (licensed: public domain). Also, the artpiece has the following creditline: Purchase, Gift of Raymonde Paul, in memory of her brother, C. Michael Paul, by exchange, 1988. Moreover, alignment is in landscape format and has a ratio of 1.2 : 1, which implies that the length is 20% longer than the width. Jean-Frédéric Bazille was a painter, whose artistic style can mainly be classified as Impressionism. The painter lived for a total of 29 years and was born in the year 1841 and passed away in the year 1870.
Legal disclaimer: We try what we can to describe our art products as clearly as possible and to display them visually in our shop. However, the colors of the printed materials and the imprint might differ marginally from the representation on the device's monitor. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Because all are processed and printed by hand, there may also be minor discrepancies in the exact position and the size of the motif.
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