Bernard van Orley, 1514 - The Birth and Naming of Saint John the Baptist; (reverse) Trompe-loeil with Painting of The Man of Sorrows - fine art print
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Artwork description as provided by the museum (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
This panel once formed the left wing of an altarpiece dedicated to Saint John the Baptist that was commissioned by abbot Jacques Coëne for the Benedictine Abbey Church in Marchiennes, near Tournai. It depicts Saint Elizabeth in bed, shortly after giving birth to the newborn saint. Zacharias appears at the entrance to her room, carrying a scroll which declares his son’s name will be John. The pendant (in a private collection) shows the moment after the Baptist’s death, when Salome receives his head on a platter. The centerpiece of the triptych, likely a sculpture of the Baptism of Christ, has not survived.
Work of art specs
Artwork name: | "The Birth and Naming of Saint John the Baptist; (reverse) Trompe-loeil with Painting of The Man of Sorrows" |
Artwork categorization: | painting |
Generic term: | classic art |
Artwork century: | 16th century |
Year: | 1514 |
Approximate age of artwork: | more than 500 years old |
Original medium of artwork: | oil on wood |
Original dimensions: | 25 × 30 in (63,5 × 76,2 cm) |
Museum: | The Metropolitan Museum of Art |
Location of museum: | New York City, New York, United States of America |
Museum website: | The Metropolitan Museum of Art |
License: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Bequest of Hertha Katz, 2000 |
Artwork creditline: | Bequest of Hertha Katz, 2000 |
Artist information
Artist: | Bernard van Orley |
Gender of the artist: | male |
Nationality: | Dutch |
Professions of the artist: | painter |
Country: | the Netherlands |
Artist category: | old master |
Lifetime: | 50 years |
Born: | 1492 |
Year died: | 1542 |
Product details
Article type: | art copy |
Method of reproduction: | digital reproduction |
Manufaturing technique: | UV direct print (digital printing) |
Production: | produced in Germany |
Stock type: | on demand |
Product usage: | art reproduction gallery, home design |
Orientation of the artwork: | landscape format |
Aspect ratio: | 1.2 : 1 - length : width |
Implication of side aspect ratio: | the length is 20% longer than the width |
Fabric choices: | canvas print, poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond) |
Canvas on stretcher frame (canvas print) size variants: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (with real glass coating) variants: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Poster print (canvas paper) sizes: | 60x50cm - 24x20", 120x100cm - 47x39" |
Aluminium dibond print (aluminium material) variants: | 60x50cm - 24x20", 120x100cm - 47x39" |
Art print framing: | unframed product |
Select your product material
We offer a range of various sizes and materials for every product. Thus, we allow you to choose among the following options:
- Printed poster on canvas material: The poster print is a UV printed sheet of flat canvas paper with a fine surface structure, that reminds the actual version of the work of art. A poster print is optimally suited for framing the art print with a personal frame. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print motif, which facilitates the framing with a custom frame.
- Canvas print: The printed canvas stretched on a wooden stretcher frame. A canvas print creates a attractive, warm feeling. A canvas print has the advantage of being low in weight, which means that it is quite simple to hang your Canvas print without additional wall-mounts. Canvas prints are suitable for all kinds of walls.
- Metal (aluminium dibond print): An Aluminium Dibond print is a print material with an outstanding depth. For your Print On Aluminum Dibond, we print your selected artpiece onto the aluminium white-primed surface.
- Print on acrylic glass (with real glass coating): An acrylic glass print, which is sometimes referenced as a UV print on plexiglass, transforms the artwork into marvellous décor. Further, it forms a distinct alternative to canvas or aluminium dibond fine art prints. Our acrylic glass protects your custom fine art print against light and heat for between 40-60 years.
Art product information
This 16th century piece of art with the title The Birth and Naming of Saint John the Baptist; (reverse) Trompe-loeil with Painting of The Man of Sorrows was painted by Bernard van Orley. The version of the work of art measures the size - 25 × 30 in (63,5 × 76,2 cm) and was painted with the technique oil on wood. Nowadays, this piece of art is included in the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are happy to reference that the public domain artwork is provided with courtesy of The Metropolitan Museum of Art, New York, Bequest of Hertha Katz, 2000. The creditline of the artwork is the following: Bequest of Hertha Katz, 2000. What is more, the alignment is landscape with a side ratio of 1.2 : 1, which implies that the length is 20% longer than the width.
Legal note: We try everything to describe our products as exact as possible and to demonstrate them visually on the various product detail pages. Still, the tone of the print materials, as well as the print result might diverge slightly from the presentation on the device's monitor. Depending on the screen settings and the nature of the surface, not all colors will be printed as realisitcally as the digital version shown here. Given that our are printed and processed manually, there might also be slight deviations in the size and exact position of the motif.
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